6 Things Cicero Can Teach You About Writing
Cicero is believed to be the greatest speaker that ever lived. So eloquent that Caesar–often the victim of the man’s words and redresses–considered Cicero‘s achievements to be greater than his own; once remarking that it was nobler to “extend the frontiers of the mind” than it was to the “boundaries of the empire.” As I read his work over the weekend I was struck by the clarity of his teachings–that moral goodness is the only source of happiness and that can happiness prevail even as you’re being drawn and quartered. From that I jotted down his principles for becoming the perfect speaker from his discussion “On the Orator” and translated them into the principles for becoming the perfect writer. You can take the passion and eloquence that carried him from humble origins to two millenniums of posterity and tweak them to apply them to your writing. So here are 6 (of the many) Things that Cicero Can Teach You About Writing and hopefully, life too:
Master the Subject: All of It
There is no way around this. He writes that unless a speaker truly “grasps and understands what he is talking about, his speech will be worthless.” That is clever word play or eloquence never trumps the material. In Rome the finest speakers were at an age that today we consider elderly–because they’d spent a lifetime acquiring knowledge. Cicero likens the study of a subject to a lawyer taking on a case for a client. They must know everything. They must be acutely aware of the nuances of the material, the theory and its precedents. Vincent Bugliosi as he tried Charlie Manson would approach witnesses with literally dozens of legal pads filled with questions. And he did the interrogations himself so he could absorb not just the victim’s words but their feelings, emotions and tone.
This is what separates a rhetorician from an orator according to Cicero. The former knows language and the latter knows the truth. It is what separates a newspaper reporter who plugs quotes into the story format and the author who has dedicated years to the material at hand. And I think you need to ask yourself, who do we remember and who do we respect? The transient compilation of information of a text book or the holistic study of a book like Moneyball or Liar’s Poker that makes you feel like you lived it?
Understand Human Nature: Psychological Warfare
It’s very easy to think that knowledge of the details of the discussion at hand is enough. They are not. Cicero wrote that the speaker will never find the right words without a “thorough understanding of human nature and psychology.” Through that alone can they derive what is appropriate and most effective for the audience. Not to mention, their opinions lack a foundation of reality if they are not solidly based on the human tendencies and beliefs. People respond to symbols, alliteration, and allusions. You know this, use them. We’re self-interested–appeal to it. We’re proud–capitalize on it.
If his first rule was details, this is the philosophy. You must know the canon.You can’t debate politics without The Republic or military affairs without Von Clausewitz and an intricate study of history. Or discuss love and romance without poetry, observance and first hand-experience. You can’t advocate policy or gives advice unless you’ve sat down and truly watched people–not as you’d like them to be but as they are. Writing is the same way. Your characters feel like cardboard if they were created shut up in your house or your wisdom falls flat without an understanding of what people want to hear about. For this reason the books of most professor’s fail to sell: the writer spent all their time teaching about life instead of living it.
Focus on What Matters: Be Concrete
Cicero said that the difference between a philosopher and an orator is that a philosopher speaks generally in empty classrooms while an orator debates matters of national importance on the floor of the Senate. A writer of value, according Cicero, would be someone who takes the broad strokes of the thinker and translates them into the specific, applicable language of the doer. Without concreteness we have audible masturbation–onanism. What we need is someone who combines theory with practicality and a laser-focus on the stuff that matters. How else, he says, are you qualified to attack the actions of a general without knowledge of military theory? And conversely, what good is that theory if you cannot tie it to his actions?
Use Fear: Be Human to Reach Humans
Shamelessness is the fastest way to alienate your audience. So even if you feel no fear in front of a crowd, Cicero thinks you ought to at least keep up the pretense–to show that you are human. He claims that Crassus, another great speaker, feigned diffidence each time he approached the podium so he could connect with the audience instead being foreign or above them. Writers who show no shame, he said will be “rebuked” and “heavily penalized” by the reader. So that garbage about seeing the audience naked to calm your nerves is all wrong–you have the nerves for a reason, acknowledge them, embrace them even. If you’re unsure of something, admit it and make it an asset instead of a weak spot in your message. This is the psychology that Cicero knew you needed to master.
Enthusiasm: Passion
The only way to navigate the difficulties of the other obstacles is to actually love what you do. That means, you’d do it for free or if no one was reading. He said “You need just one thing: enthusiasm–a passion little short of love.” If you don’t have that, why bother? People certainly aren’t going to want to read what you could barely drag yourself to write. That means working hard, like Demosthenes who would fill his mouth with pebbles and recite verses to strengthen his tongue, who through practice alone broke himself of a stutter. A lot of writers don’t have this and it shows; they write about what they think you want instead of what they care about. And that is just sad.
Ask the Experts: Learn from Others
It is the writer’s job to know a lot but not everything. So when you don’t know, consult the people who do. And with your ability to translate, amplify and support, he said, you ought to be able to make a more powerful argument on the subject then even they are able to. Often the “experts” have spent all their time on the first rule and none on the second, making it opportune for you to navigate a merger. Cicero listed the people he knew who he would turn to when he needed help or advice on a subject outside his expertise. Like him, you should try and cultivate these relationships and have them On Demand. If the Forum was the battlefield he said it was, then this is your armory, a stockade of knowledge for when you need it. Marcus Aurelius said that like a “soldier storming a wall,” when you find trouble, it’s perfectly fine to have a “comrade to pull you up.”
Do the Opposite: Speak to Write Better
Cicero felt that the best way for a speaker to attain eloquence was to write extensively–that practice in the more meticulous and thought-out medium would help in extemporaneous discussions. In writing, the converse is true. Getting better at speaking, developing the ability for words to roll off your tongue will translate into a more fluid prose. As you raise your threshold on the state or at the podium, you ought to see your writing improve as well. He also recommends (as do I) to re-write (speak) the great works that have come before you. As you transition to original creation you can take that momentum with you. It’s like getting a massive head start. In fact, it was in translating classic Greek to Latin that Cicero invented and gifted us the words “quality” “individual” “vacuum” “infinity” “moral” “notion” and “comprehension.”
Conclusion:
Just as Sun Tzu said that if you know yourself and the enemy you will win every time, if you know the material and people you will do the same. If you are concrete, work hard and rely on experts for specialized knowledge, that victory will be a landslide. Cicero could put down rebellions with impassioned speeches, so surely you can convince the reader of the merits of your arguments with the same tactics. Unfortunately, these are not the lessons taught in school–we learned to write on things we didn’t know much about, were told to divorce ourselves from how people normally think, to be theoretical and quote only from certain sources. That’s not what I want to get in the habit of doing. And I absolutely hate it when I can tell that other writers are. We’ll probably never be as eloquent as Cicero (at least I won’t) but even if you make it halfway, you’ll be clearer, more inspiring and have more passion.
If you liked this, then try this: On the Spartans and the Perfect Paper
Source: On the Good Life is the collection of Cicero’s essays that I used for this post. The translation is excellent. You should buy this book.
Excellent post. There were at least a couple of ideas in there that I needed to hear right at this moment.
Couple side notes: an interesting contrarian view of Cicero can be found in Michael Parenti’s “The Assassination of Julius Caesar.” A little on the Marxist side, but still adds an interesting dimension to the period.
And personally, I eschew alliteration as a rule. But that’s probably a matter of taste.
Anyway, ripper post. Thanks.
Ah, a post after my own heart.
Excellent work, Ryan!
“Cicero thinks you ought to at least keep up the pretense–to show that you are human.”
Interesting. I have a presentation I have to make next week, I’ll keep that in mind. Usually I just go with full-blown 100% confidence from beginning to end without much trouble (good, but not great), but maybe I’ll be able to get the audience to care more with this.
Thanks for coming out with consistently good work every day.
Thanks for recommending “On the Good Life”. I’ve been searching around for resources to help me with my public speaking and debating skills and this book seems like it could help.
ahahaha you so cute, let me get you a biscuit.
Is there any particular reason you write in this masturbatory faux-Victor Davis Hanson style?
It works?
So how does “Master the Subject: All of It” and “Enthusiasm: Passion” relate to your formula for writing essays? It seems to me that utilizing the “Spartan” technique would be motivated by _not_ mastering the subject, and _not_ having enthusiasm. Otherwise why use a model so restrictive?
I think you actually mentioned somewhere in your Spartan essay that using your formula would ensure safety from the teacher marking you down for not adhering to the prompt. Is that really worth sacrificing your creative liberty? I guess it would be for some one who doesn’t know what they’re talking about, and doesn’t really care.
There is a difference between being restrictive and being simple. The paper format is simple. True mastery becomes simplicity–it becomes intuitive. If you can’t explain your point simply, basically and straight-forwardly then you haven’t mastered it.
Two, the paper facilitates passion. It makes the logistics, logistics instead of the focus. It cuts down the tie the writing takes and increases your ability to really delve into the theme and the meat of the matter.
Lastly, prompts are almost always stupid. They have to be. The last thing a teacher wants is 40 kids writing about whatever the fuck they want. So a prompt is designed to create similar, obvious answers. The format allows you to get the grade but ACTUALLY be creative. That’s the beauty of it. When you redefine and the continually codify through the Spartan square, you get away with being creative. People hate outliers and in this case, you are disguising an outlier as an insider.
If you think the model is restrictive, then by all means continue with your rambling, 2 introduction, no thesis, ridiculous collection of psuedo-analysis. If you want to move the discussion forward, you go with the format. To beat the system, you must understand it.
You say prompts are always stupid, and yet you say that it’s possible to delve into the theme and the meat of the matter. This seems inconsistent. Not only would I argue that teachers don’t just want obvious answers (why would they be a teacher unless they wanted some evidence of genuine engagement from their pupils), I’d say the assumption that they do underlies a major problem. If the prompt really and truly seems stupid, you should ask yourself if you’re wasting your time taking the class, or if you don’t know enough about the subject. If you’re really interested in the subject of the class you should know the material well enough that you can subtly make the paper about an aspect you do actually have a passion for, as opposed to restricting yourself to the obvious answer. It seems like using a strict formula like the Spartan one precludes this opportunity to subtly shift the focus to your passions.
This is why we use teleseminars along with articles and ebooks to promote our businesses. Writing improves your speaking and vice versa. Limiting yourself to strictly one medium will lead to mediocrity; utilizing both will lead to excellence.
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Ryan,
Thanks for your insightful post. My husband and I have been classically educating our teens for several years (latin, rhetoric, classic lit, speech and debate tournaments, etc.) My question is this: as teenagers, there are few subjects over which they are masters; would you limit their academic writing to subjects for which they are passionate masters of the material? We’re teaching them form, but sometimes they are not interested in the topic, and it shows. Any thoughts are much appreciated.
interesting post, i knew nothing about cicero (except his name) until i read this.
“[a rhetorician] knows language and [an orator] knows the truth.”
i think it’d be more accurate to say that rhetoricians know what is persuasive. and an orator is someone who speaks in public, usually arguing for some cause. in order to be effective, an orator must know rhetoric.
also, you’ve listed 7 things, not 6!
This is an interesting concept which you developed well until you brought up Sun Tzu. That single sentence made me reevaluate the entire piece.
I liked the phrase “a philosopher speaks generally in empty classrooms while an orator debates matters of national importance on the floor of the Senate”. I think it a really a big deal to be a good orator, because you must own your language masterly. Oratory is not given for everyone.
I like this piece, because it has connected concepts i knew but could not convey in my writing; by simply trying to follow the rules of writing. You have to know exactly what it is you are telling your reader, and know how it makes you feel before doing it. Before you can attempt to have that reader feel and see your concept the way you do, as well as you need to know how they can not.
All this you can not do with out a passion for what you are writing, for without that you have nothing behind your words. Restated, in agreement this is a great piece and is understandably the reason one would be enthralled with this man speaking or a matter applied in ones writing.
Kate Kimmel
Cicero sounds like he really had his stuff together…. I’m not going to pretend that I’m in the same league with the authors of some of the other posts when it comes to literary knowledge. I dont really know much about Cicero either, but I have to admit, I’d like to know more.